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Top Stories from the Contemporary Art Scene

Shepard Fairey, We the People, 2017. Courtesy: Obey Giant
News — 9 years ago

Shepard Fairey’s Women—Forging the Trump Protest

Georg Baselitz, Adler (Eagle), 1982. From the portfolio Erste Konzentration I, Galerie Sabine Knust, Munich, 1982
Famous Multiples — 9 years ago

Masterpiece #18 Georg Baselitz, Eagle, 1982

Marcantonio Raimondi after Raphael, The Massacre of the Innocents. Courtesy: The Whitworth, Manchester
9 years ago

The Astonishing Tale Behind a Renaissance Masterprinter, the First European Pornographer

Marco Poloni, Black Hole, from The Majorana Experiment, 2010. Courtesy: Campagne Première, Berlin
9 years ago

Disruption in the Art Market—Is that it?

Left: Francis Bacon, Study for a Portrait of Pope Innocent X, 1989, lithograph. © The Estate of Francis Bacon. All rights reserved / DACS 2016. Right: Lucian Freud, Self Portrait: Reflection, 1996, etching. © The Lucian Freud Archive
Exhibition — 9 years ago

Lucian Freud and Francis Bacon—“two people pulling each other to bits”.

Left: Ivanka Trump at Seeds of Peace 2009. Source: Wikimedia Commons. Right: Ivanka Trump’s Instagram Feed with comment by Richard Prince
9 years ago

Richard Prince Withdraws Authority for an Instagram Work Sold to Ivanka Trump

Gerhard Richter, Betty, 1991, Edition 23 of 25. Courtesy: Sammlung Olbricht. © Atelier Gerhard Richter
Review — 9 years ago

Curating in a Time of Hyper Abundance

Anna Lapshina with a painting by Christian Rosa in the background. Image: © fineartmultiple
Collector Interviews — 9 years ago

Anna Lapshina

Simon Fujiwara, The Happy Museum, 2016. Berlin Biennale 9. Courtesy: Simon Fujiwara. Image: © Timo Ohler
Review — 9 years ago

Art in 2016—A Year of Seismic Shifts

Richard Serra, Left Square into Left Corner, 1981, Paintstik on aluminum, 271cm x 264 cm, Edition of 6. Courtesy: Gemini G.E.L., Los Angeles
Famous Multiples — 9 years ago

Masterpiece #17 Richard Serra, Left Square into Left Corner, 1981

Helen Marten and her installation at the Turner Prize 2016 at Tate Britain, London, 2016. Courtesy: Joe Humphrys © Tate Photography
Review — 9 years ago

Helen Marten Wins the 2016 Turner Prize (Or does she?)

Damien Hirst and Gavin Turk, 2016. Image: Prudence Cuming Associates
Review — 9 years ago

“I Just Fucking Hate Death” — Inside the Mind of Damien Hirst the Collector

Left: Robert Rauschenberg, Monogram, 1955-59. © Robert Rauschenberg Foundation, New York. Right: Robert Rauschenberg. Source: Wikimedia Commons
Exhibition — 9 years ago

Robert Rauschenberg’s Art and Life Celebrated the Spirit in all Things

Torsten and Christina Kunert at home in Berlin. © Petrov Ahner
Collector Interviews — 9 years ago

The Kunerts

Robert Mapplethorpe, Self-Portrait, 1980. © Robert Mapplethorpe Foundation
Exhibition — 9 years ago

Robert Mapplethorpe’s Photography Scandalized America in the 1980s

Marcel Duchamp, Feuille de vigne femelle (Female Fig Leaf), 1950. Image: © Tate, London
Famous Multiples — 9 years ago

Masterpieces #16 Marcel Duchamp, Female Fig Leaf, 1950

Man Ray, Glass Tears, Gelatin silver print. © Man Ray Trust/ADAGP, Paris and DACS, London
Review — 9 years ago

Peek Inside Sir Elton John’s Unrivalled Photography Collection

Pablo Picasso, Self-Portrait with Palette, 1906. © Succession Picasso/DACS, London
Exhibition — 9 years ago

Pablo Picasso’s Portraits

Stephen Shore, Andy Warhol on fire escape of the Factory, 231 East 47th Street, 1965-7. © Stephen Shore
Review — 9 years ago

Andy Warhol’s Factory—An Idle Decadence

Left: Raymond Pettibon, No title (Homo Americanus), 2015. Courtesy: The artist and David Zwirner, Berlin. Right: Raymond Pettibon, No Title (Let's give a . . .), 2006. Courtesy: Hauser & Wirth
Exhibition — 9 years ago

Raymond Pettibon—The Art of Punk-Rock America

Sebastian Peichl at home. Image: © Petrov Ahner
Collector Interviews — 9 years ago

Sebastian Peichl

Edvard Munch, Angst (Woll 63; Schiefler 61). Courtesy: Sotheby’s
News — 9 years ago

Sotheby’s New York Prints and Multiples Auction was a Fine Day for Blue Chip Artists

Left: Max Beckmann, Self-Portrait in Blue Jacket, 1950. Right: Max Beckmann, Quappi in Grey, 1948. Images: © 2016 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
News — 9 years ago

Max Beckmann’s Life and Works Are Still Plagued by the Ghosts of Nazi Oppression

Carolee Schneemann, Interior Scroll, 1975, Taken from a Suite of 13 gelatin silver prints, Edition of 7. Available to buy on fineartmultiple, Courtesy: Carolina Nitsch Contemporary Art, New York
Famous Multiples — 9 years ago

Masterpieces #15 Carolee Schneemann, Interior Scroll, 1975

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